Showing posts with label Ilayaraaja. Show all posts
Showing posts with label Ilayaraaja. Show all posts

Saturday, May 21, 2011

Kanmani Anboodu - Guna

Guna is a mad love story. A mentally retarded man is fed the idea that there is a special girl for him. Guna is able to pick locks very well, and a crooked uncle needing to break into a temple treasury randomly points to a girl saying that is Guna’s Abiraami - a name that they have created. Following a botched robbery and chaos, Guna ends up taking away Abiraami/Rohini to a remote mountain top. Guna is ardently and honestly in love. Abiraami on the other hand reacts as a scared kidnapped person would. Over time though, Abiraami seems to understand Guna. To say that Abiraami loves Guna is a stretch, but she does begin to accept him.

Again, one of Kamal’s amazing power packed performances. Classic Ilayaraaja music. And a girl so pretty, that some of us when in school scaled the hostel walls and ran off to see the movie again for a second time with money we hardly had. ha ha. Ridiculous! But was fun then - a short term school kid obsession with a film actress.

In the context of this song, Guna has moved themselves to some hidden caves. There he is attempting to write a letter to her.



Male: Ezhudhu, ezhudhu
Write, write …
Female:Enne ezhudhurathu
What to write?
Male: Letter
Female: Yaarukku
To whom?
Male: Unakku
To you?
Female: Enakka?
To me?
Male: Enakku ezhudha varaadhu? Ippodhaa kazhethu pooda kathikku...
I don’t know how to write. Only recently I learnt to put a sig...
Female: Wait, wait, Enakku nee ezhuthira letter, naan ezhuthi …
The letter that you are writing to me, I write it and ...
Male: … enakku padichu katteettu, nee padi.
… and you read it out for me, and then you read.
Female: I like it. Chollu.
Ok, tell me.

Male: Kanmani anboodu kaadhalan naan …
naan, ezhuthum, kaditham … illae … kadithaasi, chey kadithamae irukkattam. padi.
My dear, with love … this lover is writing to you … a letter, a note? no, just put letter. read.
Kanmani anboada kaadhalan, naan eludhum kadidhamae
Male: Paattaavae padichittiya? Appo naanum … mothale kanmani sonnele, inge ponmani poottukko. Ponmani un veettile soukyama? Naan ingae soukyam.
You made a tune of it! In that case, I too … first I said my dear no, now put my darling. My darling, are you fine at home? I’m fine here.
Ponmani unn veetil sowkiyamaa? Naan ingu sowkiyamae,
Male: aaha, unnae nenaichu paakkumboothu kavithae manasilae aruvi maathiri kottudhu. Aaana athe ezhuthanoonu okkaantha antha ezhuthu thaan, vaarthae
Lovely! When I think of you, poetry flows in my mind like a stream, but when I try to put it down in words … that writing … those words …
Unnai enni paarkkaiyil kavidhai kottuthu,
Adhai elutha ninaikkauyil vaarthai mootuthu,
Male: Athaan, athae thaan. Pramaadham. Kavithe, kavithe. Padi.
That’s it. Perfect. Poetry, poetry! Read.

Kanmani anboada kaadhalan, Naan eludhum kadidhamae,
My dear, this letter is written with affection by this lover
Ponmani unn veetil sowkiyamaa? Naan ingu sowkiyamae,
My darling, are you fine at home? I’m doing fine here.

Unnai enni paarkkaiyil kavidhai kottuthu,
When I think of you each time, verses flow in my mind
Adhai elutha ninaikkauyil vaarthai mootuthu,
But when I consider writing it down, I am stumped for words

Male: mmmm … enakku undaana kaayam athu thannaalae aaridum. athu ennamoo enru theriyila, enna maayamoo ennu theriyile, enakku onnum aavurathillae. ithuvum ezhuthukkae. nadu naduvile maanae, thenae, ponmaanae ellaam poottukkanum. intha paaru, enakku enna kaayam irundhalum athu yen odambu thaangidum. on odambu thaangumo? thaangaathu. abiraami. abiraami abiraami.
Wounds on me automatically heal. I don’t know what it is or what magic it is, but nothing happens to me. Write this also. And in between put my dear, my darling and all. See, whatever happens to me, my body will take it, but will yours? No, it won’t. Abiraami, [my] abiraami.
Female: athuvum ezhuthanuma.
Should I write that also?
Male: Heh heh. Ille … athu kaathal. yen kaathal yenna yennu sollaamae yenge yenge azhukeya varudhu. aana naan azhuthu yen soogam unnae thaakkudumo enru nenaikkum poothu, varuka azhugai koode ninnurathu.
Heh heh … no … that’s just my love. I’m unable to express my love, and because of that sadness hits me in waves. But when I think that if I cry then you will also feel sad, my sadness also stops.
Male: Manithan unarnthu kolla, ithu manitha kaathal allae. Atheyum thaandi, ithu punithamaanathu.
That man should be provoked by our love, this is not mortal love.
Way beyond that, this love is divine.

Undaana kaayam yaavum, Thannaalae aari poagum,
Maayam enna ponmaanae ponmaanae,
That my hurts heal automatically, I don’t know what magic that is
Enna kaayam aana podhum, Yen maeni thangi kollum,
Undhan maeni thaangaadhu senthaenae,
Whatever the wounds my body can handle it, but yours cannot
Enthan kaadhal ennavendru sollaamal, Aenga aenga alugai vanthathu,
Unable to express my love, I heave with approaching tears
Enthan soagam unnai thaakkum, Endrenumbothu vandha alugai nindrathu,
But thinking that my sadness will affect you, my tears stop
Manithar unarndha kolla, Idhu manitha kaadhal alla,
Adhaiyum thaandi punithamaanathu,
That man should be provoked by our love, this is not mortal love.
Way beyond that, this love is divine.

Abiraamiyae, thaalattum saamiyae, Naandhaanae theriyumaa?
Abiraami, I’m the lord that cradles you, do you know that?
Sivagaamiyae sivanil neeyum paadhiyae, Adhuvum oonakku puriyumaa?
Siva’s wife, half of siva is you, do you understand that?
From what I see there seems to be relationship between the name Abirami and the God Siva, but I don’t know what that is. Abirami is a common name Tamilnadu. An early search connected it to Lakshmi, which might not be right, as Lakshmi is lord Vishnu’s consort.

Suba laali laali laali laali,
Abiraami laali laali laali...


The context is wonderful, but you can skip to the start of the song picturisation at 4:00.

Thursday, May 19, 2011

Elangaathu Veesudhey - Pitamagan

Hindu philosophy holds that man goes through a series of rebirths based on one’s karma until the time he transcends mortal life and becomes one with God. To aid this series of rebirths, Hindu culture requires the son to cremate his parents. Ancestors are one’s ‘pitr’ (pronounced pithr). But if a son does not do the funeral rites of his father, the dead soul cannot ascend to heaven or descend to hell, as his karma might be, so that the cycle of rebirths may continue. Instead, the soul is stuck for eternity in a state of ‘pit’ (pronounced pith) - the worst that could happen.

Pitamagan - means the son of such a soul. Vikram and Surya the main protagonists play one of their career best roles in Bala’s violently earthy film. Vikram is abandoned as a child in a graveyard and is brought up by a man who takes care of the graveyard. In order that the abandoned dead may continue their cycle or rebirths, Vikram performs the funeral rites and cremates them. He meets Surya, a petty conman, who befriends the unsociable, mentally unstable loner. He also meets Surya’s girlfriend and another rough and tumble woman, Sangeetha, who is selling hashish on the sly.

In the context of this song, the hostile, antisocial Vikram is slowly experiencing a new world, opening up to friendships for the first time ever, and receiving a somewhat pitied attraction from Sangeetha, which he also seems to respond to in his own oafish ways. Ilayaraja has been overshadowed by Rahman off late in the music scene, but pieces like this bring back his greatness.


Elangaathu Veesudhey
A cool wind blows
Isai Poala Paesudhey
It speaks like music
Elangaathu Veesudhey
Isai Poala Paesudhey
Valaiyaadha Moongilil
On a path with no turns
Raagam Valainchu Oadudhey
This melody runs swaying
Maegham Muzhichu Kaetkudhey
The clouds look on wide-eyed, [while]
Karum Paarai Manasula
In a hardened, black heart …
Mayil Thoagai Virikkudhey
… a peacock spreads its tail
Mazhai Chaaral Thelikkudhey
… a light rain drizzles
Pul Veli Paadhai Virikkudhey
… a green grass lays a path
Vaanavil Kudaiyum Pudikkudhey
… a rainbow shelters us like an umbrella
Pul Veli Paadhai Virikkudhey
Vaanavil Kudaiyum Pudikkudhey

Maniyin Oasai Kaettu Mana Kadhavu Thirakkudhey
To the sound of bells this mind’s door opens
Puthiya Thaalam Poattu Udal Kaatril Midhakkudhey
To a new tune, this body walks on wind

Pinni Pinni Chinna Elaiyoadum
Like entwined dry leaves
Nenjai Allum Vanna Thuni Poala
Like a colored robe that hugs the chest
Onnukkonnu Dhaan Inanchi Irukku
There is one fated for each one
Uravu Yellaam Amanchi Irukku
All relationships are defined like that
Alli Alli Thandhu Uravaadum
To generously tear of one’s self
Annamadi Indha Nilam Poala
Like this ever giving land
Silarukku Dhaan Manasu Irukku
Very few have such a mind
Ulagam Adhil Nilaichu Irukku
And the rest of the world is dependent on them
Naethu Thanimaiyila Poachu, Yaarum Thunai Illai
Yesterday was spent alone, with no one to support
Yaaro Vazhi Thunaikku Vandhaal Yaedhum Inai Illai
If one came along on a journey, _tbd_
Ulagathil Edhuvum Thanichu Illaiyae
Nothing is alone in this world
Kuzhalil Raagam Malaril Vaasam Saerndhadhu Poala
The melody joins the flute, and the fragrance joins the flower

Manasula Enna Aagaayam
What is that hurt in your heart
Dhinam Dhinam Adhu Pudhir Poadum
That sows itself again everyday
Ragasiyathai Yaaru Arincha?
Who knows those secrets?
Adhisayathai Yaaru Purincha?
Who understands the surprising?
Vidhai Vidhaikkira Kai Dhaanae
The hand that spreads the seed
Malar Parikkudhu Dhinam Dhoarum
Is also the hand that plucks the bud
Malar Thodukka Naarai Eduthu
And then somebody takes the string
Yaar Thodutha Maalaiyaachu?
And who is that who made the garland?
Aalam Vizhudhilae Oonjal Aadum Kili Yellaam
The birds swinging on the falling roots of the banyan tree
Moodum Siragilae Mella Paesum Kadhaiyellaam
Its descending wings whispers all the stories of the day
Thaalaattu Kaettidaamalae, Thaayin Madiya Thaedi Oadum
Without need for a lullaby, a child finds its mothers lap …
Malai Nari Poalae.......
… and even the feared mountain lion